Scanline VFX delivered 450 shots. Bryan Hirota served as VFX supervisor. The main sequences produced by them were the lighthouse and its surrounding environment, the "Aquaman" title card that follows the Boston aquarium, Aquaman pushing the submarine to the surface and rescuing the sailors inside, Orm's tidal wave that sweeps away Arthur and Tom, including the rescue and aftermath, Black Manta being paid by Orm for the submarine's delivery, and Arthur and Mera's visit to the Kingdom of the Trench. For the title card, the team relied on Rodeo's work on the aquarium sequence and simulated up to 60,000 fish. The tidal wave sequence was realized with a large-scale simulated wave, which was integrated with a combination of day-for-night footage, blue screen shots for the actors in truck interiors, a truck on a rotisserie rig, an interior cabin in a water tank, and VFX simulations for debris. For creating the lighthouse, a full-size house with the base of the lighthouse tower was constructed by the FX team. Additional house and dock sets were built on sound stages. A digital build-out was done to complete the lighthouse tower and extend the dock fully out into the sea. For the sequence where the camera pushes into a toy snow globe with a tiny lighthouse inside, a CGI transition was created from the lighthouse's living room set to a fully CGI winter coastline. For creating the Trench creatures, motion capture was done on set by stunt performers.[77]
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